Click Here for starters. It's based on the lives of three friends ten years ago. "He was going to do another gun and guts macho fight film but he decided to do this; he decided he needed this in his life. This is a great shot of Jan Michael Vincent, one of the actors that actually could surf. Back then they built the whole Hollywood wall set and we were staying in this country town called Lompoc, which is just north of the Ranch, in the middle of farmland, with all the actors and crew. For those of you that dont know about George Greenough, you should learn. I worry I might lose sight of the characters. Thats not enough. Another luminary brought in for this film was none other than Gerry Lopez. "And I can tell you, it's so hard, no one will ever make it again. We pitched up at Sunzal, which happens to be where theyre holding the ISA World Games this week. relative viscosity of nylon 6; predictive index cognitive assessment answers; why do baseball players spit so much; Hello world! Ahead of our upcoming screening, we dived deep into some of the backstories behind the production, exploring the writers, actors, surfers and lensmen who brought it to life. But, when Big Wednesday opened in the spring of 79, it tanked. "Big Wednesday" started as a novel written by John Milius and Denny Aaberg and was initially published in 1978 by Bantam Books. It took an awful long time to write the script. There was a lot of pressure to make it more like Animal House, but the movie has a huge following now because it did have loftier ambitions. In the late 1950s, Milius surfed regularly in Malibu, where he met Denny Aaberg, the brother of surf legend Kemp Aaberg and the future co-writer of Big Wednesday. Above and below are Peter Townend. Denny Aaberg continues his life long passion for playing music. So anyway one Sunday we took him out surfing at Sunzal, it was about 3 feet, and he got smashed and almost drowned and had to be rescued and brought in. However, while Star Wars (Lucas) and Close Encounters (Spielberg) would haul in hundreds of millions of dollars, Big Wednesday was a major critical and popular wipe-out, at least initially. Hell, we offered to smoke dope in front of them just to prove we were surfers. All Rights Reserved. I don't think that kids today have the same kind of values that these people had then; I don't see movies being made about that kind of thing. Rent $2.99. Sign up for the Wavelength newsletter to get the latest news, announcements, special offers and event information, Wavelength Media, Unit GF43 & GF55, Winslade HouseManor Drive, Exeter, EX5 1FY, UK, Wavelength Magazine. Billy Hamilton, above, was the double for Jan Michael Vincent. (as Karen Rea Grossman) Big Wednesday - The Hottest Ride Ever: Matt (Jan-Michael Vincent) is praised for his magnificent ride, but he, Jack (William Katt) and Leroy (Gary Busey) know that their summer days are over.. They were sure this guy was a SEAL!. Lucky for us, Terry was a photographer, and she happened to be friends with George Greenough, who was hired as a photographer for the film. Milius said that while the story was inspired by his own life experiences as a young surfer in Malibu, he was interested in achieving a balance between a realistic depiction of true events and the mythologising of surfers and surfing culture. The lives of some California surfers from the early 1960s to the 1970s. Here it goes, the good, old story of the dog chasing its tail. And Denny should know, he co-wrote the film with the director John Milius! [1], Big Wednesday was a box office flop upon its release, and was quickly pulled from theatres after taking in only $4.5 million. ), Cairns was renowned for his big wave prowess and radical manoeuvres in smaller waves. When they were shooting, they would be riding longboards and no wetsuit, or maybe a top only. Without going to Hawaii it would have fallen flat, but those big wave sequences at the end of the movie are pretty amazing. Seversons title referred to a surfing myth according to which all the great surf days of the year fall on Wednesdays. At least half the people who participated are dead now. The film tells the story of three young friends whose passion in life is surfing. For those of you that dont know about George Greenough, you should learn. Categories . [24], Milius later said the film was "sort of a numb spot in my life. The fictional Bear surfboards logo and t-shirts, originally created by the filmmaker as props for the film, went on to become a popular surf trademark owned by Milius himself. I went there 190lbs and ended up a 170, and in fact one night I lost 10lbs, vomiting and shitting, just incredibly sick. The mythical resonance of the Big Wednesday, the hump-day, when the weeks beginning tips into its end, when the gods of surf and youth reach the apex of their glory, continues to fascinate new generations of viewers. She said it was the last shot on the roll. Click Here to hear the song and see some stills from the film. The brand morphed into an actual successful company after the release of the movie, producing hundreds of boards, and is still active today, with various people producing Bear-branded boards in different countries. IC: Well, we were in the Northern Ranch, where the breaks Cojo and Governments are. WL: Are there any other memories from that trip that particularly stand out? Terry Remick is now heavily involved with the marketing of vintage rail trips along the central coast. Initially, Milus and Aaberg set out to write a novel that combined some of Malibus real characters with a grander narrative around surfings mythology. "The 40th-anniversary edition of 'Big . It inspired the names of things as disparate as the weekly New Zealand lotto draw, an Australian pale ale and countless storms and hurricanes. There goes Greenough to get some water shots, with an assistant, we guess. While the studio had high hopes for the success of Big Wednesday, it flopped, and was out of the theaters in a month. Hes riding one of the prop longboards made for the film. Forty years after its release the passion and lyricism of the film are even more compelling. Most of the shots of Gary Busey paddling out are me, so I kind of have a lot of those stunt double pieces. The seemingly paradoxical juxtaposition between an ordinary day (Wednesday) and epic adjective (Big) also matched Milius double ambition to provide both a realistic account of surfing subculture and to create a long-lasting surf mythology. Although two of the lead actors Jan-Michael Vincent and Willliam Kat had been surfing since childhood, Milius brought in an all-star cast of surfing talent to serve as stunt doubles, including World Champ Peter Townend (whose surfing shines throughout), Ian Cairns, Billy Hamilton, Jay Riddle and Jackie Dunn. Denny wrote a song about it with Phil Pritchard and it was featured in this film and became quite popular. The final treatment drew on many of the writers own experiences, with the trip to Mexico and the famous draft dodging scene reportedly both based on real events. Big Wednesday (1978) - Summer Surfing Scene (2/10) | Movieclips Movieclips 58.5M subscribers Subscribe 142 Share 28K views 4 years ago Big Wednesday - Summer Surfing: Leroy (Gary Busey),. IC: The guys were held at gunpoint at Sunzal one morning as part of the revolution thing, but that was before I got there. They formed their own company, The A Team. Not to mention a few vintage lenses. Last accessed: December 1, 2009. s.parentNode.insertBefore(t,s)}(window,document,'script', The picture stars Jan-Michael Vincent, William Katt, and Gary Busey as California surfers facing life and the Vietnam War against the backdrop of their love of surfing. It made only US$4.5 million (half of its original budget) at the box office. to hear the song and see some stills from the film. All Rights Reserved. Im actually really stoked on the surfing in that final sequence, they did a really good job stitching it all together . The surfers and stunt doubles with director John Milius. But then it just reverted back to normal from there on, it wasnt like wed bought a lifetime membership into the Hui. IC: The guys were held at gun point at Sunzal one morning as part of the revolution thing, but that was before I got there. Although access has since opened up a little, back then it was only residents and boat owning day-trippers who could surf along the stretch. After that whole period in El Salvador, they wanted to do some shots in California so they set up at Bixby Ranch to get that really sparkling California look. Release Dates The cult success lay in its ability to combine the accurate observation of real people and events, the reproduction of believable stunts and performances, and a supercharged sense of the mythic. It was pretty bizarre. They still used a stunt double for a lot of the surfing action, his was Bill Hamilton. Although not a veteran himself, Milius is a war and weapons enthusiast, serving for six years on the board of gun advocacy group the NRA. Ian Cairns, shown above, was the surf double for Gary Busey. Im actually really stoked on the surfing in that final sequence, they did a really good job stitching it all together . A 20th Anniversary screening (which included cast and crewmembers) took place at the Newport Film Festival in 1998. I jumped on a plane and flew down there to join the crew, who were about a week into the shoot. Join us in a beautiful clifftop location overlooking Watergate Bay in West Cornwall on July16th for a drive-in screening of the film. WL: Tell me about the filming of the final sequence? was also an Aussie surf legend and was the first professional world champion. And the climactic showdown between the heroic trio and the monster waves is so good it makes up for the rest (the trio's Wild Bunch-inspired walk to destiny is by far Milius's finest cinematic moment) More than any other movie Milius directed, Big Wednesday contains the joy of filmmaking (he waited his whole career to make this movie). [7], They obtained finance from Warner Bros in June 1976. Apple Computers was founded, NASA unveiled its first space shuttle, Concorde took its maiden commercial flight and, of equally critical importance, surfing had its very first crack at a joined-up international contest circuit. The film is set in California between 1962 and 1974 and follows the lives of three surfers: Matt Johnson (Jan-Michael Vincent), a self-destructive local surf star, and his two best friends, Leroy The Masochist Smith (Gary Busey) and Jack Barlowe (William Katt). In addition, two-time Pipeline Masters champion Gerry Lopez, who served as one of the six surfing masters in the production of the film, also appears in a cameo as himself during the final surfing section of the film. Wed surf and then get a filet mignon for lunch. Originally Milius envisioned the story as a novel and he included the treatment in a letter, entitled We were gods, to literary agent Lynn Nesbit. Browse the full lineup and get your ticket here. WL: And then you all jetted off to Hawaii. The extras got paid $60 a day, plus a catered lunch and a bus ride up from Santa Barbara everyday. But not just any BEAR Surfboard made for Big Wednesday -- we have for you the Original Bear Surfboard made for Big Wednesday director John Milius. (1) Cairns in a Sunset tube (2) PT off the bottom. Other filming locations included El Paso, Texas; Hollister Ranch near Santa Barbara; Surfrider Beach (in Malibu); Ventura, California; and La Libertad, El Salvador. "John has fallen in love and is getting married and that's opened up this other side of him," said star William Katt in October 1977. Too bad the movie sucked, the premiere at the Arlington was pretty exciting anyway.. "William Katt: New Golden Boy of Tile Romantic Lead Katt as the Golden Boy", "Big Wednesday: four decades between surfing and myth making", https://en.wikipedia.org/w/index.php?title=Big_Wednesday&oldid=1139114837, American coming-of-age comedy-drama films, Rotten Tomatoes template using name parameter, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 13 February 2023, at 12:40. When Milius saw them sat next to each other, he couldnt believe the likeness, immediately switching PTs role to that of Kats double instead. (1) The central trio heading out for the final showdown. I first saw this film in 1978, my father took me to see it with my brothers at the drive-in as a double feature with "Every Which Way But Loose." WL: Are there any other memories from that trip that particularly stand out? Milius, well-known for his involvement in successful productions such as Jeremiah Johnson, Dirty Harry and The Wind and the Lion, was considered to be one of the most promising filmmakers in Hollywood. (2) PT with his signature arched bottom turn during the final sequence. Milius and his friends George Lucas and Steven Spielberg famously agreed to exchange a percentage point of Big Wednesday, Star Wars and Close Encounters of the Third Kind prior to the release of the three films throughout 1977-1978. There, he sought advice from Gerry Lopez, brought in for the action-filled climax to play himself, who told him in the event of a wipeout, to go like a dishrag in a dryer. Sage advice, as ever, from the surfing sensei. Write an article and join a growing community of more than 160,500 academics and researchers from 4,573 institutions. He had a lot of innovative ideas that changed surfing, and he created them. The points were aggregated and surfers were informed of their standing and which competitions would constitute the second half of the tour. While working on the script, Milius and Aaberg used Samurai stories, the Arthurian saga and Herman Melvilles Moby Dick as sources of inspiration. An 8' 6" BEAR Surfboard single fin made for Big Wednesday. Despite what he describes as a childhood of juvenile delinquency, Milius developed into an accomplished screenwriter, penning a series of hit films in which surfing often featured. Los Angeles Times 21 August 1977: n7. Matt Johnson: Well, I did a lot of things around here I'm kind of ashamed of. The prevailing wind is offshore, summertime theres swells. He flew to Hollywood and headed straight for Warner Brothers studios, where he happened to pull up a chair alongside another of the films stars, Billy Kat. At some point, old cars were placed on the beach by ranchers to try to keep the surfers out. IC: Well, we were in the Northern Ranch, where the breaks Cojo and Governments are. Among these was Kym Herrin, who later gained fame as a Playboy bunny. Academy Award-nominee Gary Busey ("Under Siege," "The Firm") stars in a story of three young surfers searching for meaning as their lives change in the '60s and '70s. And at the same time our lives were regulated by a strict chivalry code. ABOUT A SHIPWRECK THAT (RAN AGROUND IN "53" NOW A VICTIM OF THE SEA ? It didnt work. "[7], Aaberg says "it took about a year to write" the script. We have found an absolute gem of a surfboard packed with provenance. Apparently, therefore, Big Wednesday is a 100% Hollywood movie. Without going to Hawaii it would have fallen flat, but those big wave sequences at the end of the movie are pretty amazing. Free Delivery on all Orders Over 80. The teen, whose name . [The Wavelength Drive-In Cinema is back for 2021, bringing you a range of surf cinema, cult classics and family favourites from the clifftops of Cornwall, kicking off with Surf's Up and Big Wednesday on Friday 16th July. You just get treated like a king, youre part of the crew, hanging out with the actors, writers and directors. New York Surf Film Festival. Big Wednesday (1978) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by John Milius Writing Credits Cast (in credits order) complete, awaiting verification Produced by Music by Basil Poledouris Cinematography by Bruce Surtees . We had to convince them otherwise. When John Milius made Big Wednesday in 1978, he was considered one of the most promising filmmakers in Hollywood. We know these are freesurfing shots because hes riding a late 70s shortboard. IC: For about two months we were on the North Shore, filming mainly at Sunset, but also other places to get pick up shots. It was super fun. See production, box office & company info, WHAT IS THE SONG AT THE ARMY INDUCTION CENTER ? The points were aggregated, and surfers were informed of their standing, as well as of the remaining competitions that would constitute the second half of the tour. After the film came out, Bill began shaping under the Bear label depicted in the movie. Photo from the front cover of his biography: Kanga The Trials and Triumphs of Ian Cairns. It never strayed from that. Theories behind the failure are wide-ranging; the scars of Vietnam were still too raw, there was too much fighting, too much binge drinking and, with the transition brought on by the shortboard revolution complete, the surfing audience viewed the longboard-centric surf scenes as pass. The film makers had what they refer to as a cattle call up at the Riviera theater to select the lucky folks. So wed gone from death threats in 76 to having them protect us in the water the following winter. IC: Well in May we were in El Salvador, in the summertime, from August to September we were in the Ranch, then we did surf the winter events on the North Shore. [The Wavelength Drive-In Cinema is back for 2021, bringing you a range of surf cinema, cult classics and family favourites from the clifftops of Cornwall, kicking off with Surf's Up and Big Wednesday on Friday 16th July. Its the artful portrayal of these hardy perennials that allows Big Wednesday to still resonate so thoroughly with wave riders over forty years on. Several surf legends - Peter Townend, Ian Cairns, Jay Riddle and Bill Hamilton - were involved in the making of the film as stunt coordinators or doubles. In 1975, Warner Bros expressed a strong interest in Milius idea about a surf film, which in turn prompted him to buy the rights to the title of John Seversons 1961 surf movie Big Wednesday. [17][18][19], The film premiered in wide release in the United States on May 26, 1978.[20]. They still used a stunt double for a lot of the surfing action, his was Bill Hamilton. The lives of some California surfers from the early 1960s to the 1970s. n.callMethod.apply(n,arguments):n.queue.push(arguments)}; When Milius saw them sat next to each other, he couldnt believe the likeness, immediately switching PTs role to that of Kats double instead. Working on big Wednesday in 77, we earned 50 grand. https://www.goletasurfing.com/core/cache/breeze-minification/js/breeze_bf25db7bc3f4fb29e74cfd527dd277fa.js, Terry Remick was spending a lot of her time with friends on the beaches of, Lucky for us, Terry was a photographer, and she happened to be friends with George Greenough, who. No Hype.No Sponsors. if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0'; IC: One day I was at home in Australia and the phone rang and it was Hollywood calling. Nature enthusiast Dean Bannatyne captured this epic video footage Which by contrast seem to contain the frustration of filmmaking."[25]. Browse the full lineup and get your ticket here. I have fond memories of being one of the extras. If you continue to use this site we will assume that you are happy with it. Big Wednesday: Directed by John Milius. "But I couldn't," he said. So wed gone from death threats in 76 to having them protect us in the water the following winter. They said, Hey, its Warner Brothers, do you want to come to El Salvador?. Tell me about your experience at the Ranch? From left, Gary Busey, Jan-Michael Vincent and William Katt in Big Wednesday. Trips planned for this summer include roundtrip runs to SLO from SB and Goleta on June 30th, July 21st and August 18th. ABC edited 31 minutes from this film for its 1985 network television premiere. Purchase Big Wednesday on digital and stream instantly or download offline. Similarly, the ocean and the American west coast symbolise the possibility of a return to the frontier, the physical and symbolical home of the authentic American character. The nostalgic celebration of friendship is strongly associated with the critique of contemporary capitalist American society. And thats what the movie is. But we simply didnt take into account things like, oh, sharks, civil war and dysentery.. It was only with the films home video release in the early 80s that it began to acquire a cult following, gaining more credibility and adulation with each year that passed. Surf is a reoccurring trope in Milius work. fbq('track', 'PageView'); Copyright 2020 Surfing.LA. Greenough arrived with his own custom-built water housing and proceeded to take apart the 100 grand film camera provided to him by the production to fit it inside. xenophon agesilaus summary; One day this El Salvadoran militia comes to visit our beach set, continues Milius. You can see the wave all over Instagram today, with all the surf teams there. A lot of them died in Vietnam and OD'd on dope. When John Milius made Big Wednesday in 1978, he was considered one of the most promising filmmakers in Hollywood. IC: Well, it was pretty horrible in 76. Above is George Greenough, Denny Aaberg with the guitar, Peter Townend and Townends girlfriend. It become one of the most influential surf movies ever made. Every morning wed meet at Earl Warren and get on a bus for the ride up, going through the Jalama entrance to Bixby. . Monster waves swept into Cape Town this week, with surfers jumping at the chance to experience the unforgettable huge surf. We had a helicopter [for filming] and all these fit surfers with really short haircuts, so these guys figured we were CIA, U.S. military or something. | Sign up for the Wavelength newsletter to get the latest news, announcements, special offers and event information, Wavelength Media, Unit GF43 & GF55, Winslade HouseManor Drive, Exeter, EX5 1FY, UK, Wavelength Magazine. Honestly, the whole experience completely ruined me for being back on the pro tour. We were allowed to be out surfing all the time and Cojo is pretty nice its a bit like Little Rincon at Bells. Malibu in the early 60s, immediately post-Gidget, when some old-timers were already arguing the breaks best day were behind her. So's John. Although today Big Wednesday is considered one of the best surf movies ever made, the path that led to its cult status was a long and convoluted one. Except for Big Wednesday, none of the Milius-directed films have a satisfying conclusion. The first week was fairly fraught, beset by illness, bad waves and a standoff with a gun-toting local militia. The Novel Before the Movie. So, PT told Milius, hey, Ive got a bronzed Aussie buddy who could replace him. Give me a break! Business boomed with the late 80s surfwear explosion as Bear expanded its line, replacing fishing as his main source of income. Those [guerrillas] looked at him and absolutely freaked. big wednesday stunt surfers big wednesday stunt surfers. We were treated like rock stars and I still get a cheque every year from the screen actors guild. [27 June 1978] The movie often seems even more uneventful than material like this need make it, and Mr. Milius's attention to his actors focuses more closely on their pectorals than on their performances. "[22], The staff at Variety wrote, "A rubber stamp wouldn't do for John Milius. Remick says this was typical Greenough attire; barefoot, jeans, sweatshirt and self cut hair. The logo, a red diamond with a bear in it, features prominently throughout the movie, on shop windows, T-shirts, car windows and on surfboards. My contribution to the movie was telling the assistant director that the license plates on the cars were wrong for the period. You know theyve got craft services there so you can go to the catering truck and order anything you want. Most famously, hes responsible for creating the character Colonel Kilgore in Apocolypse Now and writing the films most iconic line: Charlies dont surf.. That experience working on Big Wednesday was kind of how I hoped pro surfing would be. Surf star Gerry Lopez, who would. While the storys original novel treatment was titled We Are Gods, after Warner Bros expressed an interest in making it into a film, Milius approached Surfer Magazine founder John Severson, to acquire the naming rights of his surf film Big Wednesday, released over a decade prior in 61. But to be perfectly candid my interest in competing on the tour dramatically diminished, because I realised there was another world out there.