At 67 years old, Thomas Hampson height not available right now. In February 2001, he sang Amfortas in Wagner's Parsifal at the Paris Opera and the Royal Opera House in London, took a four-month recital tour across Europe and the U.S., performing under the baton of Vladimir Jurowski and Franz Welser-Mst. [46] The year's performances included the title role in Verdi's Macbeth,[47] the title role in Doktor Faust once more[48] and Mandryka in a new production of Arabella. Hampson began 1998 with the world premiere of Richard Danielpour's Elegies in Jacksonville, Florida and later reprised the role at Carnegie Hall. If you sit a violinist in a Kleenex box, you'll have trouble hearing him. During the summers of 1978 and 1979, he studied under Gwendolyn Koldowsky and Martial Singher at the Music Academy of the West, where he won the Lotte Lehmann Award. Baritone Thomas Hampson, whom Bernstein mentored. His eldest daughter Catherine is married to singer Luca Pisaroni,[64] to whom she was introduced by her father. 1953?) Add to all this an influential press representative from the Herbert Breslin office and manager, Ken Benson, from Columbia Artists Management Inc., and you have all the ingredients for international renown. Organize, control, distribute and measure all of your digital content. ", The baritone's tendency to speak his mind has occasionally raised a few eyebrows in the music business. Grow your brand authentically by sharing brand content with the internets creators. Other important appearances of Hampson's in 1996 include a series of master classes at the Mozarteum University of Salzburg, and two productions of Don Carlos in the original French (directed by Luc Bondy), one in Paris and one in London. The baritone has rented an apartment on Russian Hill for the duration of the Monteverdi opera. In 1981, he was one of the winners in the Metropolitan Opera National Council Auditions national finals. Vienna Acoustics, an Austrian music company, named one of their speakers "The Hampson Edition. 947 posts. Like other colleagues, she finds him "great fun" to work with, yet exacting in the high standards of preparation he expects of himself and his collaborators. You are free: to share - to copy, distribute and transmit the work; to remix - to adapt the work; Under the following conditions: attribution - You must give appropriate credit, provide a link to the license, and indicate if changes were made. Thomas Walter Hampson (* 28. Earlier in life, he was among the few Americans to pass muster with the ultra-severe retired soprano Elisabeth Schwarzkopf, who teaches German art song as a calling at . That year, he performed in the composer John Adams's 19-minute musical monologue, The Wound-Dresser. We recommend you to check the complete list of Famous People born on 28 June. where he lives with no less than the Countess Andrea Herberstein. En route to the stage during one "Giovanni" performance, he lay a hand on the shoulder of a lowly comprimario singer in a collegial gesture, then peered above him to check his reflection in the glass frame of a wall poster. [12] The New York Times praised the recording, saying that "the performances have a luminous beauty and cast a storyteller's spell. NEW YORK CITY, NY - APRIL 22: Andrea Herberstein and Thomas Hampson attend MANHATTAN SCHOOL OF MUSIC Concert Gala 2010 Honoring MARILYN HORNE at Tribeca Rooftop on April 22, 2010 in New York City. Such all-encompassing involvement could backfire for Hampson, who has taken very little time off in the last few years. This summer will mark his fourth consecutive appearance there. In 1980, as a consequence of winning the San Francisco Opera audition, he competed in the Merola Opera Program, in which he met Elisabeth Schwarzkopf. Access the best of Getty Images with our simple subscription plan. mit der sterreicherin Andrea Herberstein zusammen, 2014 in New York und Wien. Appearing again with Rene Fleming, Hampson also put out a recording of Massenet's Thas late in the year. Discover today's celebrity birthdays and explore famous people who share your birthday. This article is about the American baritone. His voice never overpowers the music, and there is always a sense of a genuine emotional connection to the material. That year was also the 50th anniversary of the Vienna State Opera's reopening, and Hampson was invited to sing at a gala in the venue's honor. Now both divorced, they maintain a home in Vienna with Herberstein's three children; Hampson's 9-year-old daughter lives with his former wife in Washington state. It has a spectacular view of the bay, and as the sun turns pink and turquoise over Golden Gate Bridge, he muses on his approach to characterization. ", He soon began studies in music at Fort Wright College in Spokane with Sister Marietta Coyle, a Catholic nun and respected vocal instructor in the area. Concurrently, Hampson earned a BFA in Voice Performance at Fort Wright College under the tutelage of Sister Marietta Coyle. AN INTELLIGENT man whose. All structured data from the file namespace is available under the. I am truly, forgive me, God, jealous of people who are so musically able. . In October he dbuted yet another role: Antonio in Donizetti's rarely performed Linda di Chamounix at the Vienna State Opera. In 1995, Hampson received two awards for his contribution to classical music: the Cannes Classical Music Award for Singer of the Year in 1994, and the Echo Music Prize for Best Male Singer. Through a series of dedicated Song Projects and in collaboration with key academic and cultural partners . [26] Other important appearances of Hampson's in 1996 include a series of master classes at the Mozarteum University of Salzburg, and two productions of Don Carlos in the original French (directed by Luc Bondy), one in Paris and one in London. But by his junior year at Eastern Washington University in Cheney, he realized that "the arduous task of becoming a lawyer was not important enough to my soul, whereas the arduous task of becoming an artist seemed to be organic to my existence, if that doesn't sound too highfalutin. Next season is a busy one for Hampson, starting with his appearance at the New York Philharmonic's opening night concert, which will be televised on "Live From Lincoln Center." Streamline your workflow with our best-in-class digital asset management system. Auf Herberstein gingen Weltstars ein und aus. [2], Hampson's diverse and expansive discography has earned him an Edison Award for Lifetime Achievement, four Edison Awards, four Echo prizes, numerous VEB Deutsche Schallplatten, Gramophone Awards, and Grand Prix du Disque, as well as six Grammy Award nominations, and one Grammy Award. He reprised this role again on in the Japan tour of the Vienna State Opera under the baton of Seiji Ozawa. That year, he also began a collaboration with the Library of Congress that led to the creation of the Hampsong Foundation. Andrea. In February, he performed in the world premiere of Michael Daugherty's Letters From Lincoln with the Spokane Symphony and then as the title role in Eugene Onegin at the Met. Original file (800 1,200 pixels, file size: 194 KB, MIME type: image/jpeg). Andrea Herberstein and Thomas Hampson attend MANHATTAN SCHOOL OF MUSIC Concert Gala 2010 Honoring MARILYN HORNE at Tribeca Rooftop on April 22, 2010 in New York City. ", Indeed, the brawny Spokane, Wash., native with sapphire blue eyes and wavy dark brown hair needed only minor makeup to play the part. A broad-shouldered man of 6-foot-4, he appears sturdy but suffers from allergies, particularly in New York, where he says the polluted air wreaks havoc with his sinuses. . Countess Andrea Herberstein, in a dress she designed herself and sewn by Viennese seamstress Marlene Luppi, attends the Diamond Soiree Gala, as part. Dusseldorf offered him a contract, and his career began in earnest. On this Wikipedia the language links are at the top of the page across from the article title. In 1991, Hampson opened the New York Philharmonic season in a Live from Lincoln Center telecast, singing Aaron Copland's Old American Songs in a performance conducted by Kurt Masur. . 2002 bore a number of role dbuts, including an April performance as Mandryka in Richard Strauss's Arabella at the Thtre du Chtelet in Paris alongside Karita Mattila, another as the title role in the world premiere of Friedrich Cerha's Der Riese vom Steinfeld in June, and then two performances in October: one as the title role in Verdi's Simon Boccanegra at the Vienna State Opera under the baton of Daniele Gatti and the direction of Peter Stein, and one in the world premiere of Wolfgang Rihm's Sechs Gedichte von Friedrich Nietzsche in Cologne. ", Hampson is by inclination a traditionalist when it comes to opera staging -- "I'm not interested in 'Boheme' on motorcycles," he remarks -- and he is wary of reading too much into a character unless it is justified by the score and libretto. Thomas Walter Hampson (born June 28, 1955) is an American lyric baritone, a classical singer who has appeared world-wide in major opera houses and concert halls and made over 170 musical recordings. Although he made his Metropolitan Opera debut in 1986 as the Count in "The Marriage of Figaro," his career here has developed more slowly than it has in Europe. He was featured in CNN's "Fusion Journeys" series, which filmed him in South Africa in a musical exchange with Ladysmith Black Mambazo. When Hampson sang the quintessentially lyric baritone role of Valentin in Gounod's "Faust" at the Metropolitan in 1990, several critics found him a trifle "light-voiced. This page was last edited on 16 October 2020, at 14:09. At the time, both were married -- she, to an Austrian count whose ancestral castle grounds have been transformed into an animal park for tourism; he, to the college sweetheart he wed when he was 20. VIENNA, AUSTRIA - MAY 31: Opera singer Thomas Hampson and his wife Andrea Herberstein, Alexa Wesner (US Embassadress) and her husband Blaine Wesner attend the Life Ball 2014 after show party at City Hall on May 31, 2014 in Vienna, Austria. [43] That year, he also launched his website, www.thomashampson.com. That year, he also launched his website, www.thomashampson.com. How many 5 letter words can you make from Cat in the Hat? ", " -- Hampson is using a German term of endearment akin to "sweetheart" -- is 37-year-old Andrea Herberstein, whom Hampson later introduces as "my wife-to-be, my fiancee. Andrea Herberstein and Thomas Hampson attend MANHATTAN SCHOOL OF MUSIC Concert Gala 2010 Honoring MARILYN HORNE at Tribeca Rooftop on April 22, 2010. Want this question answered? What is are the functions of diverse organisms? She is affiliated with University Hospital - University of Michigan. In 2017, he was awarded the Hugo-Wolf-Medaille alongside Wolfram Rieger, for their outstanding achievements in the art of song interpretation. In June, Hampson seized control of his media output and established his own independent record label, Thomas Hampson Media (THM), re-releasing six albums through iTunes. [21] In July, he opened the Mostly Mozart Festival in a telecast Live from Lincoln Center, and then in August he performed at the Salzburg Festival with a solo recital of Barber and Mahler. "I feel dizzy," protests Hampson, who was forced to cancel the previous performance because of a throat infection. Shortly after, he made his Metropolitan Opera debut on October 9, 1986 as the Count in Le nozze di Figaro. Finally, in December, he made his first stage appearance in the role of Athanael in Thas at the Lyric Opera of Chicago. Bei kommerzieller Verwendung sowie fr verkaufsfrdernde Zwecke kontaktieren Sie bitte Ihr. The next years brought performances in many of the world's most important concert venues (including Avery Fisher Hall, Barbican Centre, Carnegie Hall, Concertgebouw, Royal Albert Hall, Thtre du Chtelet), opera houses (including Lyric Opera of Chicago, Metropolitan Opera, Paris Opera, Royal Opera House Covent Garden, San Francisco Opera, Vienna State Opera) and festivals (Mostly Mozart Festival, Maggio Musicale, the Salzburg Festival), where Hampson performed with some of the world's most renowned pianists (incl. Tap into Getty Images' global scale, data-driven insights, and network of more than 340,000 creators to create content exclusively for your brand. In addition to his performance schedule, much of Hampson's modern career has centered on music scholarship and education. Kauna unahang parabula na inilimbag sa bhutan? The performance was subsequently recorded for EMI/Angel. In 2008, Hampson appeared as Carlo in a revival of Verdi's Ernani at the Metropolitan Opera. "It's not very pleasant -- for me, anyway," he says with typical immodesty after the performance. The piano used for the recording had belonged to Mahler himself. In November, he made his San Francisco Opera debut, performing the title role in Monteverdi's Il ritorno d'Ulisse in patria and role debut as Don Giovanni at the Metropolitan Opera. The New York Times praised the recording, saying that "the performances have a luminous beauty and cast a storyteller's spell." . For other uses, see, University of Southern California Thornton School of Music, Metropolitan Opera National Council Auditions, Orchestra dell'Accademia Nazionale di Santa Cecilia, Orchestre national du Capitole de Toulouse, Antarctic explorers' race to reach the South Pole, James Levine's 25th Anniversary Metropolitan Opera Gala, "About The Library of Congress Song of America Project", "Mahler 'has overwhelmed my life,' singer says", "National Council Auditions, Past Winners", "Home Entertainment/Recordings: Recent Releases", "Review/Music; Bernstein's Latest Thoughts on 2 of His Specialties", "Review/Opera; Hampson In 'Barbiere' At the Met", "Guide to the Recognitions and Honorary Degrees Records 18922002", "The Classical Music Awards 1994: Stars come together in a new wide world: Artistic barriers are falling in a celebration of the whole field, writes Robert Maycock", "San Francisco Opera Performance Archive: The Dangerous Liaisons", "Music Review; Battle and Hampson: All Charm in a Parade of Hits", "I Hear America Singing Project (Thirteen/WNET 1996)", "Music Review; Von Stade Sings in a Work About Her Father at War", "Opera Review; A Deep Voice Expresses A Consuming Sadness", "Music Review; An Undercurrent of Drama In a Tightly Plotted Recital", "Opera Review; Hampson Embraces Verdi in Vienna", "Music Review; A Voice and Piano Team Pays Hugo Wolf His Due", "Music; Reaching the Top of the Opera World by Accident", "Arts, Briefly; Library of Congress Tour", "Schumann Rarity: An Opera of Bits and Pieces of 'Faust', "Visitors From San Francisco Burnish a European Patina", "From the Attic, a Verdi Craves Attention", "One Diva to Another: This Role Is Divine", "Opera: Thomas Hampson, Baritone and Big Thinker", "Thomas Hampson Honoured by US Establishment", "Members of the American Academy, Listed by election year, 20002014", "A Journey of Heroism That Led to the Towers", "Thomas Hampson Hosts 13-Week "Song of America" Radio Series, Syndicated by WFMT Radio Network to Radio Stations Across U.S. From October 2011", "Thomas Hampson and Wolfram Rieger awarded the Hugo Wolf Medal Thomas Hampson", "Luca Pisaroni's passion for music leads to a Lyric Opera debut in "Rinaldo", Official website of the Hampsong Foundation, Understanding Your Life Through Music: A Mahler Scholar Brings His Passion to DC, Thomas Hampson in photographs by Wolf Kettler, Interview with Luiz Gazzola, 4 April 2012, https://en.wikipedia.org/w/index.php?title=Thomas_Hampson&oldid=1140191481, Members of the European Academy of Sciences and Arts, Honorary Members of the Royal Academy of Music, Fellows of the American Academy of Arts and Sciences, Edison Classical Music Awards Oeuvreprijs winners, Short description is different from Wikidata, Articles to be expanded from December 2018, Creative Commons Attribution-ShareAlike License 3.0, An Old Song Re-Sung, EMI Digital, B000002RRM (1991), Richard Danielpour: Songs of Solitude & War Songs, conducted by Giancarlo Guerrero, Naxos, 8.559792 (2016), Tides of Life: Channel Classics, 0723385389170 (2017), Elgar: The Dream of Gerontius, conducted by. In July, he made yet another role debut: Wolfram in Wagner's Tannhuser, a role that would later win him the 2002 Grammy Award for Best Opera Recording. https://www.nytimes.com/1991/05/05/magazine/the-don-juan-from-spokane.html. Three days later, he sings "Don Giovanni" in Central Park as part of the Chemical Bank "Met in the Park" series, and he appears in three operas at the Metropolitan next season, including the title role in Benjamin Britten's "Billy Budd." He clears his nasal passages, Felix Unger style, and whines. But in this century, audiences have grown accustomed to hearing "Don Giovanni," which Mozart wrote for a baritone, sung by lower voices, from the legendary Cesare Siepi to today's talented Samuel Ramey -- men with the vocal heft to penetrate the recesses of the 3,800-seat Metropolitan Opera. Part of the reason is the sheer visceral excitement of the tenor voice -- a novel sound, compared with the normal male speaking voice, and one fraught with risk, since it encompasses more forays over the treacherous "break" between vocal registers than a baritone. 35K followers. In July, he made yet another role debut: Wolfram in Wagner's Tannhuser, a role that would later win him the 2002 Grammy Award for Best Opera Recording. [15] The year included many notable performances, including: the Rossini 200th birthday gala at Avery Fisher Hall, the title role in Britten's Billy Budd at the Met, the Count in Le nozze di Figaro at Florence's Maggio Musicale conducted by Zubin Mehta, Brahms' Ein deutsches Requiem with Daniel Barenboim at the Chicago Symphony Orchestra, and two performances of Schumann's Dichterliebe: one in Geneva and the other in his first recital at Carnegie Hall.[16]. As a recitalist Hampson has won worldwide recognition for his thoughtfully researched and creatively constructed programs that explore the rich repertoire of song in a wide range of styles, languages, and periods. Anyone can read what you share. [34], In February 2001, he sang Amfortas in Wagner's Parsifal at the Paris Opera and the Royal Opera House in London, took a four-month recital tour across Europe and the U.S., performing with Vladimir Jurowski and Franz Welser-Mst.[35]. In 1984, he began an engagement at the Opernhaus Zrich as a principal lyric baritone, among others participating in the legendary Harnoncourt-Ponnelle Mozart cycle, including all of the Da Ponte operas and the title role of the famed 1987 production of Don Giovanni. Above all, he is a marketable package: he looks the part of the roles he is vocally suited to sing, be it Tchaikovsky's callous "Eugen Onegin" or Mozart's licentious Don. "I don't think," he says, "that I could portray an emotion on stage that I couldn't experience in real life. Hampson begins interviews in a formal manner, speaking in a smooth, cultivated tone and peppering his sentences with pedantic phrases like "as it were." . One of the earliest was a 1982 production of "Cosi Fan Tutte" at the Opera Theater of St. Louis. What type of electrical charge does a proton have? "You have to be careful not to psychoanalyze Bugs Bunny," he contends. [20] He then embarked on a five-month tour that led him to over twenty cities, featuring recitals debuts in Reutlingen, State College, Washington, D.C., Iowa City, Fort Worth, Quebec, and Buffalo, New York. [17] 1993 also saw the beginning of Hampson's institutional involvement in the classical world, when he gave a series of master classes at the Tanglewood Festival in Lenox, Massachusetts. "He even brushed up on his archery," von Stade adds, "which saved all our lives." He also sang in the 25th Anniversary Gala of the Metropolitan Opera, which was recorded live for video/CDV. [14] In November, he made his San Francisco Opera debut, performing the title role in Monteverdi's Il ritorno d'Ulisse in patria and role debut as Don Giovanni at the Metropolitan Opera. www .heatherannthompson .com. Er lernte Andrea Grfin Herberstein (57) im Jahr 1986 kennen, sie lie . Hampson began to develop his interest in American Song in 1996, first with his January performance at a Gala benefit for WNET and next with the I Hear America Singing: Great Performances project, shot in May. The case was Hampson's operatic repertoire spans a range of more than 80 roles, including the title roles in Mozart's Don Giovanni, Rossini's Guillaume Tell and Il barbiere di Siviglia, Thomas' Hamlet, and Tchaikovsky's Eugene Onegin. In July, he opened the Mostly Mozart Festival in a telecast Live from Lincoln Center, and then in August he performed at the Salzburg Festival with a solo recital of Barber and Mahler. Hampson has a pliant, lyric baritone, velvety smooth in tone and caressingly expressive in its upper register. We have estimated The tenor Jerry Hadley, who also starred in that production, believes that he and Hampson "were in a sense born as artists" at that point. From this point forward, he was recognized as "among the leading lyric baritones of the late century.". Unlike many of today's aspiring American singers, who work their way up the regional opera circuit here, Hampson followed the more traditional route of becoming a "house" singer in secondary European companies.
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