Nov 1, 2014 - Lioubov Popova (Russian, 1889-1924) Abstraction, N/D Oil on canvas Lyubov Popova (1889–1924) was one of the most talented, prolific, and influential women artists of the Russian avant-garde. Lyubov Sergeyevna Popova (Russian: Любо́вь Серге́евна Попо́ва; April 24, 1889 – May 25, 1924) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. Within the now closed environment of Russian avant-guard artists, Popova took on greater influence. Find more prominent pieces of portrait at Wikiart.org – best visual art database. In 1912 to 1913, she began attending the studios of the Cubist painters Henri Le Fauconnier and Jean Metzinger at Académie de La Palette in Paris.[2]. Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia.com cannot guarantee each citation it generates. Rodchenko/Popova: Defining Constructivism, an exhibition of the work of Popova, Rodchenko, and other Constructivists was shown at Tate Modern, London, in 2009,[11] and subsequently at Museo Reina Sofia, Madrid. Directed by Albert Gendelshtein, P. Kolomytsev. The March Revolution of 1917 in the nation's capital took place in the midst of the defeats of World War I. 17.01.2017 - Просмотрите доску «Lyubov Popova» пользователя Natalia Abakova в Pinterest. of Constructivist ideas, she was slow to reflect the implications of those ideas in her own work. Popova, Liubov (1889–1924)Talented Russian artist of the first decades of the 20th century who absorbed the currents of Impressionism, Cubism, Futurism, Suprematism, and Constructivism, and turned her energies to practical forms of art to further the goals of the Bolshevik Revolution. Moreover, she continued to draw from the artistic legacy of Cubism, employing some forms, albeit distorted ones, that resembled real-life objects. Retrieved January 12, 2021 from Encyclopedia.com: https://www.encyclopedia.com/women/encyclopedias-almanacs-transcripts-and-maps/popova-liubov-1889-1924. However, the date of retrieval is often important. Between 1907 and 1908, she studied with Stanislav Zhukovsky and Konstantin Yuon, both Russian painters who introduced her to avant-garde styles. Born December 4, 1866, in Moscow, Russia; naturalized German citizen, 1928; naturalized French citizen, 1939; died Decemb…, Artist Personal Name variations: Lyubov. Moved to Moscow (1906); first visited Italy (1910); toured ancient Russian cities (1911); set up studio in Moscow (1912); visited Paris and rendered first purely Cubist painting (1913); visited Paris once more, outbreak of World War I, exhibited painting in Moscow (1914); began association with Malevich (1915); exhibited her first non-objective paintings (1916); death of her husband, contracted typhus, joined Council of Masters (1919); taught at Higher State Artistic and Technical Studio (1920); shifted interests to utilitarian art (stage design, textiles, 1921); posthumous exhibit of her work in Moscow (1924–25). M.N. But personal misfortunes and the social conditions of the Stalinist era led her to withdraw to her studio, turning her into a Посмотрите больше идей на темы «Конструктивизм, Художники, Авангард». Meanwhile, her artistic horizons widened in a variety of ways. orph…, Kandinsky, Wassily During the years after 1929, when Joseph Stalin had consolidated his dictatorship, imaginative artists of her caliber found themselves in perilous conditions. Some sources say that her parents married just before her birth, others — years later. Thus, it sought both new artistic techniques and materials that would be suitable for post-revolutionary Russia. Art was something that had to serve society. The regime demanded cartoon-like images of happy workers and dedicated peasants to serve its propaganda purposes. In 1921, her work turned in a final, dramatic direction. Some writers believe that the integration of women into the radical political circles of the 19th century paved the way for their acceptance as equals in the art world. Air+Man+Space , 1912 by Lyubov Sergeyevna Popova , (April 24, 1889 – May 25, 1924) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. "It became apparent that the paintings by Liubov Popova stood out on the basis of their quality and originality," noted Dambrowski. These four panels, originally set into the walls of the Card Room in Cranston’s house, depict the queens of the four card suits flanked by two court pages. And there were factors that cut across the talents and wishes of each individual. The influence of the Revolution became her guideline. Her work contained nuances, variety, and complexity. Russian Avant-Garde Art: The George Costakis Collection. The canvas surface is an energy field of overlapping and intersecting angular planes in a constant state of potential release of energy. The newer influences of the art world of Western Europe, such as Cubist paintings by Georges Braque and Pablo Picasso, were available for her consideration at the start of 1912 and possibly influenced her even at this early date. Though Popova participated in the development. Lyubov Popova. She belonged to "that glorious tribe of turn-ofthe-century Russian artists … who passionately bared their art to the upheavals of the era.". © 2019 Encyclopedia.com | All rights reserved. It was with this technique, reflecting the French Impressionists and Paul Cézanne, that she produced her first works, such as her Female Model of 1912. With Emma Tsesarskaya, Aleksandr Chistyakov, Vera Maretskaya, Nikolay Kryuchkov. Chadwick, Whitney. "Artist-Constructor" was the term applied to Popova by her contemporaries in the catalogue of the artist's posthumous exhibition.[10]. An analysis of Popova's cubo-futurist work also suggests an affinity with the work of Fernand Leger, whose geometry of tubular and conical forms in his series of paintings from 1913–1914 is similar to that in Popova's paintings.[1]. In 1924, her young son died of scarlet fever during another virulent epidemic, and Liubov Popova died four days later, at age 35. Air+Man+Space, 1912, Oil on canvas, 125 x 107 cm, The State Russian Museum, St. Petersburg, Lyubov Popova, Untitled, 1915, Oil on canvas, 106.4 × 71.1 cm (41.9 × 28 in), Solomon R. Guggenheim Museum, New York Gift, George Costakis, 1981 Guggenheim Museum, Lyubov Popova, Birsk, 1916, Oil on canvas, 106 × 69.5 cm (41.7 × 27.4 in), Solomon R. Guggenheim Museum, New York Gift, George Costakis, 1981 Guggenheim Museum. Of her Russian peers she was the most influenced by French Cubism. Lyubov Popova. 18 nov. 2014 - POPOVA Lioubov(1889-1924) - Abstraction - Oil on canvas - Certificate., Auction est la plateforme de vente aux enchères d'objets d'art de référence. Anna Matveyevna Pavlova was born in the Preobrazhensky Regiment hospital, Saint Petersburg where her father Matvey Pavlovich Pavlov served. Encyclopedia.com. It was to find innovative ways to teach art to a mass audience. Some art historians describe her at this juncture as a practitioner of "Cubo-Futurism," a movement centered in the Russian art world that brought together the shapes of Cubism with the aforementioned characteristics of Futurism. Color is used as the iconic focus; the strong primary color at the center drawing the outer shapes together. NY: Museum of Modern Art, 1991. Liubov Popova played a major role within the lively Russian artistic world of the early 20th century. There she found a colony of upand-coming Russian artists such as Tatlin and the sculptors Boris Ternovets and Vera Mukhina. In any case, Popova speaks to us eloquently and decisively through her art. Talented Russian artist of the first decades of the 20th century who absorbed the currents of Impressionism, Cubism, Futurism, Suprematism, and Constructivism, and turned her energies to practical forms of art to further the goals of the Bolshevik Revolution. Most online reference entries and articles do not have page numbers. Mikhail Larionov (1881-1964) was a central figure during the decade preceding World War I in the emergence of modern art in Russia.…, Vladimir Evgrafovich Tatlin (1885-1953) was a Russian avant garde artist whose model of the "Monument to the Third International" remains the main sy…, https://www.encyclopedia.com/women/encyclopedias-almanacs-transcripts-and-maps/popova-liubov-1889-1924. 6. With her husband Alexander Rodchenko, she was associated with the Constructivist branch of the Russian avant-garde, which rejected aesthetic values in favour of revolutionary ones. Pick a style below, and copy the text for your bibliography. From the new government the Institute received the task of developing a novel approach to art consistent with the goals of the Bolshevik Revolution. Commenting on the young artist's works in 1916 such as Grocery Store and Box Factory, Dambrowski noted that "figuration becomes a vestigial element, and pictorial structure becomes dominant." As early as 1917 in parallel with her Suprematist work, she had made fabric designs and worked on Agitprop books and posters, In the Tenth State Exhibition: Non Objective Creativity and Suprematism, 1918, she contributed the architectonic series of paintings. At eleven years old she began formal art lessons at home; she was first enrolled in Yaltinskaia's Women's Gymnasium, then in Arseneva's Gymnasium in Moscow. Art historian Magdalena Dambrowski cited "the high quality of her achievement," calling her "a versatile, innovative artist who drew on diverse influences … and made them the basis of her own distinctive means of expression." Both in their numbers and in the prominence they achieved, they far outstripped their counterparts in Western and Central Europe. Encyclopedia.com. NY: Harry N. Abrams, 1962. They noted how the crucial elements in her career "were not the dogmas of ideological directives but vital creativity itself." Art occupatio…, Russian art and architecture, the artistic and architectural production of the geographical area of Russia. Dambrowski, Magdalena. In the 5x5=25 Exhibition of 1921,[8] Popova and her four fellow Constructivists declared that easel painting was to be abandoned and all creative work was to be for the people and the making of the new society. Russia itself was in the midst of great changes. Refer to each style’s convention regarding the best way to format page numbers and retrieval dates. In 1918, she married and had a child; her husband died in the typhoid epidemic of 1919 and Popova did not paint for a year.. Name variations: Lyubov. Futurismus Artists - … In March of 1918 she married the Russian art historian Boris von Eding, and in November gave birth to her son. Women in World History: A Biographical Encyclopedia. Fully half of the Russian artists who pioneered the techniques of abstract art at the start of the 20th century were women. Women Artists: 1550–1950. At 0.10 she had exhibited a number of figurative painted cardboard reliefs in a cubist derived style. The extreme form of Constructivism now flourished, and the slogan "Art into Life" set the tone. 05-mar-2017 - Explora el tablero de Iker Mujika "Lyubov PoPoVa" en Pinterest. Gray, Camilla. A further exhibit of Popova's work was presented in 1991 at New York's Museum of Modern Art. From 1921 to 1924 Popova became entirely involved in Constructivist projects, sometimes in collaboration with Varvara Stepanova, the architect Alexander Vesnin and Alexander Rodchenko. NY: Alfred A. Knopf, 1976. By this time, the Futurist movement of the Italian art world had definitely begun to influence her. pre-1914 expressionism in germany Ljubov Popova was a Russian Impressionist & Modern artist who was born in 1889. She held a weekly salon at her home where artists and critics presented papers, and she exhibited her work widely. There she finished secondary school and studied literature with a private instructor. The exhibition included Popova's works such as seventy-seven paintings, as well as books, posters, textile designs, and line engravings. ." The change in her painting was striking: she now absorbed and adopted the Cubist techniques which were dominating the Parisian art scene. 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