lynda benglis studio

2014 Lynda Benglis, Cheim & Read, New York. Now. He came to my basement space and saw I had ideas; he told me I am a real artist. Lynda Benglis, who has challenged the art establishment for decades, remains in the avant-garde. Sparkle and metallized knot sculptures, including the multi-part installation North, South, East, West, 1976 – last shown in New York at a 1981 Whitney Museum exhibition – are on view at Ortuzar Projects on White Street in Tribeca. 1941, Lake Charles, Louisiana) is recognised for an oeuvre that has consistently challenged art-historical and technical conventions while treading new and experimental ground. “The Winged Victory of Samothrace” at the Louvre impresses me every time I see it. October 8–December 3, 2020. The two-page advertisement, which shows Benglis naked but for a pair of cat-eye sunglasses and clutching a latex dildo toward her crotch, is now considered an important artwork in its own right and a comment on the sexist gender stereotyping of art and images shown in the media. Dec 25, 2015 - Explore August Davis's board "Lynda Benglis", followed by 730 people on Pinterest. Benglis starts each day in New Mexico by watching the sky and feeding the birds around her studio. The artist’s coming exhibition at Pace Gallery in Palo Alto, Calif., which will open on August 21, includes work from four decades of her career, ranging from the curving tubular “sparkle paper” sculptures she has produced since 2013 — brightly colored totems created from handmade paper draped around amorphous chicken-wire forms — to “Eat Meat,” a fleshy human-size blob of poured-polyurethane foam that Benglis first fashioned in 1969 and recast in aluminum in 2012. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. Together, these key bodies of work bear out Benglis’s formidable influence on contemporary sculpture. I had a collection of Sol’s drawings, until somebody I had let stay at my apartment for $75 stole them! This is the case of Lynda Benglis, an artist who found new methods to create beautiful sculptures and who made a strong statement as a feminist in art history. The lozenges, of medium size, are … Ortuzar Projects and Cheim & Read are pleased to present Lynda Benglis: Early Work 1967-1979. LYNDA BENGLIS (b.1941, Lake Charles, Louisiana) lives and works in New York and Santa Fe. A book of recipes called “Barefoot in Paris.” I like looking at cooking photos for entertainment. 2015 Lynda Benglis, The Hepworth Wakefield, Wakefield, United Kingdom. 1941) is an American artist best known for her sculptures and large public projects.Born in Lake Charles, Louisiana, Benglis has created and exhibited artwork in museums and art galleries since the early 1960s. Have you assisted other artists before? She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. Her highly liquid process often yields beautiful yet shocking results which, as art historian and critic Julia Bryan-Wilson writes, refuse “to be constrained by conventional codes around the ostensibly discrete genres of painting and sculpture.” This joint exhibition marks the first survey of Benglis’s early work in New York since her mid-career retrospective (2009–11), which traveled to the New Museum. She was first recognized for her poured latex and foam works, pieces that were perfectly timed retorts to the male dominated fusion of painting and … The Bonn section—curated by Cotton, head of Artistic Programmes and Content at Mudam, Luxembourg—includes work by Lynda Benglis, Judith Bernstein, Alexandra Bircken, Patricia L. Boyd, Jana Euler, Hal Fischer, Eunice Golden, Richard Hawkins, Jenny Holzer, Hudinilson Jr., Allison Katz, Mahmoud Khaled, Hilary Lloyd, Sarah Lucas, Robert Morris, D’Ette Nogle, Puppies … “Lynda Benglis” is on view from August 21 through October 23, 2019, at Pace Gallery, 229 Hamilton Avenue, Palo Alto, Calif. Lynda Benglis Redefined Sculpture in the ’60s. Benglis developed knot sculptures in the early 1970s. Now, at 77, Benglis is more prolific than ever: After her show at Pace, she will open the exhibition “In the Realm of Senses” at the Museum of Cycladic Art in November, with 30 works selected by the art historian David Anfam, and next May, the Nasher Sculpture Center in Dallas will hold a major solo exhibition dedicated to her groundbreaking work in sculpture. View Lynda Benglis’s 344 artworks on artnet. This interview has been condensed and edited. I wasn’t comfortable in the beginning. My beginning studio was heaven, an East Village basement with no heat. Her studio, a cluster of small earth-toned adobe structures connected by a network of flagstone paths, which she has occupied since 1997, offers sweeping views of the high desert and the space to create dramatic large-scale works, such as her recent sculpture “Elephant: First Foot Forward” (2018), a ragged five-foot-wide knot of white bronze that resembles a torn tire. With four components seemingly designated for the cardinal directions, North, South, East, West, 1976 explodes ecstatically across the wall in a choreographic phrase liberated from the grid. An urge to make things has always been evident. For over six decades, Benglis has consistently challenged artistic conventions to produce an oeuvre that is unrivalled in its … Lynda Benglis. What’s your favorite artwork (by someone else)? I remember the expression on his face when I told him I sold it, which was the same expression he made when I showed him images of my Artforum ad piece with a dildo in 1974. Cast pigmented polyurethane , 95 x 30 x 27 in (241.3 x 76.2 x 68.5 cm). The eldest of five children, Lynda Benglis was born into a Greek-American family and raised in Lake Charles, Louisiana. Ortuzar Projects and Cheim & Read are pleased to present Lynda Benglis: Early Work 1967-1979.Across three spaces in uptown and downtown Manhattan, this major exhibition includes significant work from the artist’s first decade in the city that proved crucial to the development of her practice. This technique playfully fused organic form and industrial processes in direct opposition to the hard-edged objects of minimalism. Rainbow-colored droplets of hardened wax and latex speckle the studio’s work surfaces. I don’t consider any of them bad, because a studio is what you build with what is available. ... Site Design By M Studio-+ Lynda Benglis: Primary Structures (Paula’s Props), PRAXIS at Bergen Assembly 2016, KODE Art Museums of Bergen, Bergen Assembly, Bergen, Norway. Made in a similar process, although preceding the knots, its rigid form was never twisted. Lynda Benglis is an American artist best known for her use of poured sculptural forms made from wax, latex, metal, and foam. What’s your work schedule? By exploring the circuitous relationship between the … Lynda Benglis: Water Sources, Storm King Art Center, New Windsor, New York. I should add that I consider anywhere I create my studio. Benglis (b. in 1941, Lake Charles, Louisiana) was the first artist to make sculptures out of paint, removing the barrier between traditional painting and sculpting. I used to listen to John Mayall while making the poured sculptures. Her unique poured latex floor pieces redefined the predominantly male world of sculpture and abstraction. What is your day like? Lynda Benglis (b. My dad used to make kites out of newspaper and I thought about doing the same for a mobile. Art is about tricks of illusion and space. What’s the first piece of art you ever made? Using brightly colored polyurethane foam and incorporating wide-ranging influences, such as Abstract Expressionism, Process Art, Minimalism, Feminist art, geological forms, and ceremonial totems, Benglis developed her instantly recognizable sculptural language of undulating, oozing biomorphic forms. It was a black-and-white painting sold to a collector from Washington state for around $400. I grew up listening to Greek music with my grandmother, as well as Johnny Cash, which I still think about. Sparkle knots – including Eta, 1972 – are superficially treated with glitter and acrylic paint, invoking the flamboyant effect of masquerade. Recently, she recalled how her childhood trips from her hometown, Lake Charles, La., to the rocky Greek island of Kastellorizo, where her paternal grandparents once lived, informed her fascination with rugged textures, while she attributed her keen understanding of color, seen in works such as the hot-pink crystalline cast-polyurethane wall sculpture “Swinburne Figure I” (2009) and the shimmering multicolor paper-and-wire sculpture “Flag Twister” (2017), to watching birds as a girl with her grandfather in Mississippi. Courtesy the artist and Cheim & Read, New York. Lynda Benglis is an American artist best known for her forms created in wax, latex, metal, and foam, which expertly meld the artistic practices of painting with sculpture. Lynda Benglis Kutumb, 1982 Bronze wire, plaster, gesso, oil based sizing and gold leaf 15 x 23 x 12 in. Ver más ideas sobre escultura, artistas, estudios de artistas. A retrospective of her work is being shown … What music do you play when you’re making art? Photograph: Henry Groskinsky/Lynda Benglis. Lynda Benglis was born in Lake Charles, Louisiana, in 1941 and graduated from Newcomb College with a BFA in 1964. My day starts with looking at the New Mexico sky and the trees I plant in my studio’s garden. Installation view, Lynda Benglis, Eric N. Mack, Kelley Walker, Paula Cooper Gallery, New York, NY, September 8 – October 10, 2020. Ortuzar Viewing Room, 23 East 67th Street, 3rd Floor, New York, New York 10065, 9 White Street New York NY 10013 Tel +1 212‑257‑0033 info@ortuzarprojects.com. You don’t have to eat; you can just look at them! 1973 | 11 min Directed by Lynda Benglis Courtesy of Video Data Bank at the School of the Art Institute of Chicago (vdb.org). Sign up here.]. Although Lynda Benglis: Water Sources (Storm King Art Center, May 16–November 8, 2015) centered around a selection of her fountains, all of the featured works highlighted the notion of fluidity, with its implicit sense of ebb and flow, a dynamic that applies as much to cultural epochs as to the natural world. Her radical experiments with materials, engendered in style and form, must be reconsidered today as not only provocative but thoroughly transformative. Lydia Benglis, Merak, Sinc and Copper, 1990 and Ghost Dance, Bronze and gold leaf, 1992 Lynda Benglis (born October 25, 1941) is an American sculptor known for her wax paintings and poured latex sculptures. Photo: Timothy Doyon, Courtesy of Ortuzar Projects, LYNDA BENGLIS: EARLY WORK 1967–1979 Throughout her career, Benglis has made a concerted effort to push against any definition and to resist categorisation. My mind is always working with ideas but sometimes they pop and quickly disappear. The long sculptural limbs also reference the figure, while their interlacing creates a distinct interior and exterior, and often, a recognizable knob-like form. Actually, I was thinking today how important milk is for me — I drink it every day although I know most people don’t. The pioneering artist, who came to attention with her poured-latex floor works, is still pushing the limits of her medium. Monoprint 1. Biography of Lynda Benglis Childhood. A pioneer of free-form sculpture who radically pushed the medium in the late ’60s, she fills her biomorphic abstract works with the textures, sounds and images of the past. Currently she lives and works between New York, Santa Fe, Greece, and India. Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. Inspired by the ‘shocking colours’ of Chinatown … Benglis at work in 1969. I have many artist friends here in New Mexico. She is the recipient of a Guggenheim Fellowship and two National Endowment for the Arts grants, among others. Lynda Benglis, Tu-Lip, 1967, Purified and pigmented beeswax, damar resin, and gesso on masonite and wood, 30 1/8 x 5 1/4 x 1 3/4 inches. Even back then, I was interested in making objects that move in space. Her work is the subject of forthcoming exhibitions at the National Gallery of Art, Washington, D.C. (2020–21) and the Nasher Sculpture Center, Dallas (2021). I have to wait until the idea crystallizes again before I go back to working. LYNDA BENGLIS: EARLY WORK 1967–1979 October 8–December 3, 2020. If you have windows, what do they look out on? Yet it cannot be said that the work is entirely inchoate or formless. “Lynda Benglis” is on view from August 21 through October 23, 2019, at Pace Gallery, 229 Hamilton Avenue, Palo Alto, Calif. Advertisement Continue reading the main story Memory is as important to the work of Lynda Benglis as any of her artistic materials, including the globular polyurethane foam and wax for which she is perhaps best known. After earning a BFA from Newcomb College in 1964, Benglis moved to New York, where she lives and works today. When did you first feel comfortable saying you’re a professional artist? During the heyday of Minimalism in 1974, Benglis placed a highly controversial ad in the magazine, after the editors there had refused to illustrate an interview with her using a nude self-portrait. Also, Sol LeWitt had introduced me to Dorothy and Herb Vogel, who collected my work early on. Benglis later began to finish her knot sculptures in aerosolized metals including zinc, tin, steel, and copper. ­This exhibition is her eleventh with Cheim & Read, and her first with Ortuzar Projects. The artist Lynda Benglis photographed at her studio outside Santa Fe, New Mexico. Now is the most well-known of these works, and made a significant impact on the field of video art and critical theory. Seated in her studio amid a sea of wooden sawhorses, Benglis meandered between decades and movements during our interview. Later, I sold it for $50 because I needed money to leave New Orleans. Color Echoes, 2000. Lynda Benglis, Pink Lady (For Asha), 2013. I found a secondhand plug-in heater and bought some Elmer’s glue and clamps. Her first color tape, Now features Lynda Benglis experimenting with the effect of unnatural color, turning up the levels until the colors are high and artificial—in turn diffusing the idea of video as an impartial or "direct" medium. One of the classes I enjoyed the most at school was logic. The gold piece that’s here, Ghost Dance/Pedmarks, done in 1998, is a piece that I began working actually as a form in clay, a kind of torso form, and I thought of the torso itself as a very classical feminine and male form, a figure.The figure often even came off the ground or off the wall. Her work is the subject of a forthcoming exhibition at the National Gallery of Art, Washington, D.C. (2020-2021) and the Nasher Sculpture Center, Dallas (2021). Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. A former landlord had convinced me to move from an 11th Street unit to another one in a nine floor walk-up, with an offer of a basement space with an additional top floor, which nobody wanted. Benglis’ work is noted for an unusual blend of … “Or break them.” She spoke to Studio International at the opening of her exhibition. Memory is as important to the work of Lynda Benglis as any of her artistic materials, including the globular polyurethane foam and wax for which she is perhaps best known. LYNDA BENGLIS: My name is Lynda Benglis. It’s just obvious. Now, She’s at Her Most Prolific. Her mother was the daughter of a preacher from Mississippi. Produced between 2013 and 2018, Lynda Benglis’s wall sculptures are made from handmade paper that the artist … [Coming soon: the T List newsletter, a weekly roundup of what T Magazine editors are noticing and coveting. Various works are shown in Benglis’s studio on the property including The Manu (2008) which she created by manipulating a beeswax mixture and then making stainless steel casts of the resulting forms. The artist casts many of her sculptures at a foundry in Walla Walla, Wash., after creating the forms in her studio. Xavier Hufkens is delighted to present American artist Lynda Benglis’ (b. DACS, London/VAGA, New York. Lynda Benglis (b.1941, Lake Charles, Louisiana) lives and works in New York, New York and Santa Fe, New Mexico. People thought I could be a logician, as it seemed I could argue anything, anytime if I throw out ideas into the space through art. 1941) first solo presentation with the gallery. Lynda Benglis moved to New York at the apex of Minimalism in the 1960s. “I think artists create their own rules,” she says. If there is something I don’t like about myself, I’d try to change that — but one thing I could be accused of is that I don’t listen enough [laughs]. Having no proper heat led to my wax works, because I would need a heat source to melt the material. Mixografía® print handcolored by the artist. The artist Lynda Benglis photographed at her studio outside Santa Fe, New Mexico. Her father ran a business selling building materials, an early influence on her work: "I'm a real fan of surfaces. Across three spaces in uptown and downtown Manhattan, this major exhibition includes significant work from the artist’s first decade in the city that proved crucial to the development of her practice. Lynda Benglis made several video pieces in the 1970s, when she was working at the University of Rochester and could use the school's equipment. When I was a child, I found some strings and sticks to make a mobile, which I had never seen in real life. Each piece in the show is laced with memory. Shown alongside collected ephemera from the era is Smile, 1974, a bronze cast of the double-headed dildo that Benglis brandished in her Artforum ad that year, notoriously defying conventions of gender, propriety and genre. If so, who? Also on view is Untitled (Totem), 1972, a slender sculpture with a glittered surface that stretches over eight feet. How many hours of creative work do you think you do in a day? Benglis and Cleo with a series of the artist’s paper and wire wall sculptures. Pouring material directly onto the floor of a studio, gallery, or exhibition space, Benglis channels the artistic process of Jackson Pollock. Lynda Benglis is an artist based in New York, USA, East Hampton, USA, Santa Fe, USA, Walla Walla, USA, Ahmedabad, India, and Kastellorizo, Greece. The artist has spent much of the past year in New Mexico finding inspiration for her coming show at Pace Gallery in Palo Alto, Calif. A series of Benglis’s shimmery paper and chickenwire sculptures line the wall of her workspace. The series was the subject of a solo show at The Clocktower in New York (1973–74), where they were lit by a string of flashing colored lights. Lynda Benglis (b. The Copts used encaustic painting recipes to paint caskets, which inspired me to make my own hot wax paint to achieve plasticity and transparency. How do you know when you land on a plane? After spending time with my miniature dachshund, Cleo, I make coffee. Cast pigmented polyurethane , 95 x 30 x 27 in (241.3 x 76.2 x 68.5 cm). A pioneer of free-form sculpture, she radically pushed the medium in the late 1960s with her metaphorical and biomorphic abstract works. “My whole history is reflected in my work,” she explained, as we discussed her career, starting with her signature poured-latex floor pieces in the 1960s and ’70s, with which she redefined the then predominantly male world of sculpture, and touching on one of her most subversive works: her groundbreaking Artforum ad. Driven by an inventive and interrogative approach to both the physical and aesthetic properties of her… Benglis sits with her miniature dachshund, Cleo, outside her studio. Benglis named some knots after the U.S. military phonetic alphabet – Alpha I, 1973–74, Bravo, 1973-74, Charlie, 1973 – and others after letters in the Greek alphabet, which a few also visually recall. My garden. Her work is in the permanent collections of public institutions including the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; the Guggenheim Museum, New York; the Whitney Museum of American Art, New York; the Los Angeles County Museum of Art; the San Francisco Museum of Modern Art; the Walker Art Center, Minneapolis; the Art Institute of Chicago; the National Gallery of Art, Washington, D.C.; and Tate, London. Lynda Benglis is a Post-Minimalist, feminist artist, and pioneer of contemporary art. Not at my studio, but I have a wonderful African carved wood ram. Inquire; Color Exhoes, 2000. Monprint 1a. 18-dic-2014 - Lynda Benglis (born October 25, 1941 in Lake Charles, Louisiana) is an American sculptor and visual artist. I pounded it with clay and allowed my fingers to … 34 x 13.5 inches. Another important object was a mask my dad had brought from Chicago. Landmarks, the public art program of The University of Texas at Austin, exhibited Now (1973) and archived an essay dedicated to Benglis … What’s the weirdest object in your studio? She maintains residences in New York City, Santa Fe, New Mexico, Kastellorizo, Greece, and Ahmedabad, India. No, but Ron Gorchov and I assisted each other and had important artistic exchange. What’s the first work you ever sold? See more ideas about art, process art, artist. The artist Lynda Benglis photographed at her studio outside Santa Fe, New Mexico.Credit...Dustin Aksland. On a late July morning, as she prepared to travel to Palo Alto, Benglis sat down to answer T’s Artist’s Questionnaire. Jun 14, 2014 - Explore Debbie Michaels's board "Lynda Benglis" on Pinterest. Since the 1990s, Benglis has traveled between her main home in East Hampton, N.Y., and Santa Fe, N.M., where she fell in love with the natural landscape. Benglis describes her interest in the Indian landscape and culture and why she enjoys spending time with the Sarabhai family. 'In the Realm of the Senses', her exhibition at the Museum of Cycladic Art, Athens, Greece, commissioned by … Last month, for example, I had a spark of an idea for which I am still in the waiting process. Cheim & Read, 23 East 67th Street, 2nd Floor, New York, New York 10065 One floor above, at the Ortuzar viewing room, is a selection of gilded wall sculptures inspired by the caryatids from the porch of the Erechtheion at the Acropolis in Athens. Mixografía® print handcolored by the artist. See more ideas about process art, art, sculpture art. Benglis has fitted her adobe workspace with large wooden doors that she imported from a former convent in her home state, Louisiana. Otherwise, I have no reason to work again. For how much? Lozenge-shaped wax paintings are juxtaposed with the colorful latex and polyurethane pours for which Benglis became known at Cheim & Read on East 67th Street. Ortuzar Projects, 9 White Street, New York, New York 10013 Each begins from a tube of wire screen, cotton bunting, and gesso that is looped around itself and tied; actions which register a bodily gesture, coded in a precise configuration. Is there a meal you eat on repeat when you’re working? For more than fifty years, Benglis has been at the forefront of post-Minimalist invention alongside peers Louise Bourgeois, Richard Serra, Eva Hesse, and Bruce Nauman. Carl Andre asked to visit my studio after a night at Max’s Kansas City. I am not interested in going backward, so I wait for new ideas to appear. Recent solo presentations include Lynda Benglis: In the Realm of the Senses, Museum of Cycladic Art, Athens, presented by NEON (2019–20); Face Off, Kistefos-Museet, Jevnaker (2018); Lynda Benglis, The Hepworth Wakefield, Yorkshire (2015); and Lynda Benglis, Van Abbe Museum, Eindhoven, Irish Museum of Modern Art, Dublin, Le Consortium, Dijon, RISD Museum, Providence, the New Museum, New York, and the Museum of Contemporary Art, Los Angeles (2009–11). I go out on the porch to feed the birds and watch them play or fight over the seeds. Sea of wooden sawhorses, Benglis moved to New York City, Santa Fe New... Money to leave New Orleans, these key bodies of work bear out Benglis ’ b! Needed money to leave New Orleans the Arts grants, among others should add that I consider anywhere create. College with a BFA from Newcomb College with a glittered surface that stretches over eight feet making poured. 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