[11]:65 Robertson played guitar throughout the album, and was billed "Jaime R. Robertson" in the album's credits. Helm was diagnosed with throat cancer in 1998 and was unable to sing for several years but he eventually regained the use of his voice. He shot himself in the foot, really, bless his heart, by sharpening us into such a crackerjack band that we had to go on out into the world, because we knew what his vision was for himself, and we were all younger and more ambitious musically."[14]. [114] In Canada, Robertson won Album Of The Year, Best Male Vocalist Of The Year and Producer Of The Year at the Juno Award ceremony in 1989. [56], The Band rented The Woodstock Playhouse in Woodstock, New York with the intent of recording a new live album there, but the city council voted against it, so they recorded on location, but without an audience. In 2002, Robertson bought all other former members' financial interests in the group (with the exception of Helm),[53] giving him major control of the presentation of the group's material, including latter-day compilations. In 1965, they released a single on Ware Records under the name the Canadian Squires, but they returned as Levon and the Hawks for a recording session for Atco later that year. He also contributed to the world music video and album production One World One Voice. The album received almost universal critical praise, peaked at #9 on the US pop charts, and stayed in the Top 40 for 24 weeks. [49]:25, After the Academy of Music shows, the Band again retreated from performing live. “The … [38][39], In 1969, a bootleg album with a plain white cover compiled by two incognito music industry insiders featured a collection of seven tracks from these sessions. Over thirty years ago when I snagged Rock and Roll Hall of Famer Robbie Robertson for In the Studio episode #11, I was keenly aware that The Band’s Music from Big Pink debut album was even then enjoying classic status as Robertson and I convened for another session, this time upstairs at LA’s Village Recorder just off Sunset Boulevard. The concert was recorded by Robertson's friend, filmmaker Martin Scorsese. [29] Frustrated by the slow progress in the New York studio, Dylan accepted the suggestion of producer Bob Johnston and moved the recording sessions to Nashville. [citation needed], Northern Lights – Southern Cross was released on November 1, 1975. During this time, the Band brought in Planet Waves producer Rob Fraboni to help design a music studio for the group. Well, fine. What we're going to do now is go to Muscle Shoals, Alabama, and record four sides, four psychedelic songs. [15]:158[42] Two of Robertson's compositions for the album, "The Weight" and "Chest Fever", would become important touchstones in the group's career. Robertson headlined the festival along with other Native American musicians, and portions of the live performance appeared in the PBS documentary. [27]:21[28] The group had been recommended to both Grossman and to Dylan by Mary Martin, one of Grossman's employees, who was originally from Toronto and was a friend of the band. Robbie Robertson et The Band S.-T.F. [8], Rosemarie and James Robertson continued to work at the factory where they met, and the family lived in several homes in different Toronto neighbourhoods when Robbie Robertson was a child. Robertson wrote one track, "Fallen Angel", in honor of Richard Manuel,[108] after his passing in March 1986. Now Streaming. Dylan completed the Blonde on Blonde album in Nashville in mid-February 1966, employing Robertson for one of these sessions, which took place on February 14. Gary Busey played "Frankie", the carnival bozo and Patch's best friend. It included an original composition by Manuel and featured his vocals and drumming on several tracks. Just pretty good rock and roll."[81]. In 1994 the Band performed at Woodstock '94. [84] The film fared well with both rock and film critics. Vie privée. A tribute album, entitled Endless Highway: The Music of the Band, released in January 2007, included contributions from My Morning Jacket, Death Cab for Cutie, Gomez, Guster, Bruce Hornsby, Jack Johnson and ALO, Lee Ann Womack, the Allman Brothers Band, Blues Traveler, Jakob Dylan, Rosanne Cash, and others. The inclusion of "When I Paint My Masterpiece" came about when Dylan stopped by Robertson's home during the recording of Cahoots and Robertson asked if he might have any songs to contribute. [108] Robertson brought in Canadian jazz composer Gil Evans to orchestrate the arrangements.[109]. In the concert documentary film, released in 2003, Danko can be seen participating in a drunken jam session with Jerry Garcia, Bob Weir and Joplin while singing "Ain't No More Cane". [15]:321–322[92][93][94], In 1975, Eric Clapton recorded the album No Reason to Cry at the Band's Shangri-La Studios with help from members of the Band. Robertson wrote four of the songs on Music From Big Pink, including "The Weight", "Chest Fever", "Caledonia Mission," and "To Kingdom Come". Play. [citation needed], In 1996, as executive soundtrack producer, Robertson heard a demo of Change the World and sent it to Clapton as a suggestion for the soundtrack of Phenomenon, starring John Travolta. [14], —Robbie Robertson, on his working relationship with Martin Scorsese[102], After the production of Carny was completed, Robertson flew to New York to assist Martin Scorsese on the music for the film Raging Bull (1980). [140] He sampled a young Native American singer from the 1940s which he got from the Library Of Congress on the album's opening track, "The Sound Is Fading." [15]:321–322[49]:89[96], In 1977, Robertson contributed to two album projects from the Band alumni. [102][103], Robertson supplied three newly recorded instrumental jazz tracks for sourced music, which he also produced. [113] The video for "Somewhere Down The Crazy River" was directed by Martin Scorsese, and features Maria McKee in an acting role. Rolling Stone lavished praise on the Band in this era, giving them more attention than perhaps any other group in the magazine's history; Greil Marcus's articles contributed to the Band's mystique. [15]:176–178 An additional three tracks were recorded at The Hit Factory in New York in April 1969. Hoskyns, 365, 376–377, 384. Contactez-nous . On February 9, 2002, Robertson performed "Stomp Dance (Unity)" as part of the opening ceremony of the 2002 Winter Olympic Games in Salt Lake City, Utah. [10]:95, 100 They also hired the saxophone player Jerry Penfound and later Bruce Bruno, who were both with the group in their intermediary period as Levon and the Hawks. Cushnie left the band a few months after joining them. On April 17, 2012, it was announced via Helm's official website that he was in the "final stages of cancer";[56] he died two days later. By 1975, the studio—known as Shangri-La—was completed. Much of the album was recorded at The Village Recorder in West Los Angeles, California. Between 1958 and 1963, the band was the Hawks, a backing band for rockabilly singer Ronnie Hawkins. The Band: "Complete National Recording Registry Listing", "The Night They Drove Old Dixie Down (revisited)", "The History of The Band: The Masterpiece", "Record Details: The Band "Whispering Pines" b/w "Lonesome Suzie, "The History of The Band: The "In Between" Years", "Shelter From The Storm – the inside story of Bob Dylan's Blood On The Tracks", "Still On the Road: 1973 Recording Sessions", "The Greatest Rock Tour: Bob Dylan & The Band in 1974 – 40 Years Later", "Still On the Road: 1974 Tour of America With The Band", "The Story of Bob Dylan's Return to the Road With the Band", "Crosby Stills Nash and Young, Joni Mitchell with Tom Scott and the L.A Express, The Band, Jesse Colin Young. [35], On July 29, 1966, Dylan sustained an injured neck from a motorcycle accident, and retreated to a quiet domestic life with his new wife and child in upstate New York. Concert du 25 novembre 1976. Although the Band's original version was not released as a single, a cover version by Joan Baez went to #3 on the charts in 1971 and helped to popularize the song. [78], Scorsese brought in all-star cameramen such as Michael Chapman, László Kovács and Vilmos Zsigmond to film the show in 35mm. [11]:68–69[29] Dylan was also aware of the group through his friend John Hammond,[11]:69 whose album So Many Roads members of the Hawks had performed on. Some, though not all, of the Hawks, joined in the excesses. [40], In 1975, Robertson would produce an official compilation, The Basement Tapes, which included a selection of tracks from the sessions. [95], In the mid-1970s, Robertson connected with singer Neil Diamond, and the two began collaborating on a concept album about the life and struggles of a Tin Pan Alley songwriter. [10]:273[97], Also in 1977, Robertson contributed to the second self-titled album by singer-songwriter Libby Titus, who was the former girlfriend of Levon Helm. Later in his career, he invested in a console for his own studio room. [89], The Band is the subject of an extensive historical podcast, The Band: A History, currently covering the entire history of the group. How Songs Learn: "The Weight" Hangs Tough at 35", "The Weight: When a Song Becomes an Anthem". Cahoots featured Bob Dylan's "When I Paint My Masterpiece," "4% Pantomime" (with Van Morrison), and "Life Is a Carnival," the last featuring a horn arrangement by Allen Toussaint. Chart History (Mainstream Rock Songs)", "Artists: Rod Stewart. With Robbie Robertson, Muddy Waters, Neil Young, Van Morrison. [38], In late 1967, Dylan left to record his next album, John Wesley Harding (1967). On Contact from the Underworld of Redboy, Robertson departed from his typical production style and delved deep into a mix of rock, native and electronic music. "), and two days of recording in January 1966 for what was intended to be Dylan's next album, Blonde on Blonde, resulted in "One of Us Must Know (Sooner or Later)", which was released as a single a few weeks later and was subsequently selected for the album. The Australian and European legs of the tour received a particularly harsh response from disgruntled folk fans, and the May 17 Manchester Free Trade Hall show, best known for an angry audience member audibly yelling "Judas!" [1]:14–15[10]:66–67[15]:45–46, Hawkins hired pianist Scott Cushnie away from the Suedes, and took him on tour with Ronnie Hawkins and the Hawks in Arkansas. Il a été le guitariste du groupe rock canadien The Band. Find Robbie Robertson discography, albums and singles on AllMusic AllMusic. Photo by … [147], In 2003, Robertson was inducted into Canada's Walk of Fame. In 2003, Robertson received the Indspire Aboriginal Lifetime Achievement Award. [35], The sessions with Dylan ended in October 1967, with Helm having rejoined the group by that time, and the Hawks began writing their own songs at Big Pink. Fox among 43 invested in Order of Canada", "Governor General notice: Robbie Robertson, O.C. [37] David Attie's unused photographs for this cover—among the very few studio portraits taken during the Band's prime—have only recently been discovered and seen. Upon leaving Hawkins, the group was briefly known as the Levon Helm Sextet, with sixth member sax player Jerry Penfound, and then as Levon and the Hawks after Penfound's departure. Levon and the Hawks were recommended by blues singer John Hammond, Jr., who earlier that year had recorded with Helm, Hudson and Robertson on his Vanguard album So Many Roads. Love at the Greek reached #8 on the Billboard charts and remained in the Top 40 for nine weeks. But, with music this good, you just need to get out of the way. Both songs were written by Robertson. Jaime Royal "Robbie" Robertson,[1] OC (born July 5, 1943), is a Canadian musician,[2] songwriter, film composer, producer, actor, and author. After a pause, Dylan replied, "I don't believe you. [133], Also in 1986, Robertson was brought on as creative consultant for Hail! [citation needed], In 1992, Robertson produced the song "Love in Time" for Roy Orbison's posthumous album King of Hearts. In the ‘70s, a group of talented musicians created one of the tightest bands of their day, intuitively and faux-modestly calling themselves “The Band.” They were so good that Bob Dylan chose them to back him up for his infamous transition from acoustic to electric. [27]:27 By this time, Robertson's guitar style had evolved to be more supportive of the song and less devoted to displaying speed and virtuosity. In late December 1971, the Band recorded the live album Rock of Ages, which was released in the summer of 1972. Helm was so affected by the negative reception that he left the tour after a little more than one month and sat out the rest of that year's concerts, as well as the world tour in 1966. Harder! [59] With over 600,000 people in attendance,[60] the festival set a record for "Pop Festival Attendance" in the Guinness Book of World Records. Their first album, Music from Big Pink (1968) was widely acclaimed. 5 mikomini pisimw 1943 Toronto otenak. Bochynski, Kevin J. It's something that I've been connected to for a long time," Robbie Robertson tells us from behind the desk of his 16-channel Neve 8014 console.As you can hear in our video, he's taken the board on a decades-long journey: through solo albums, soundtracks for Martin Scorsese and other filmmakers, … [27]:29 Three of these performances were later released by Columbia Records on the LP A Tribute to Woody Guthrie, Vol. [142] It features Eric Clapton, Steve Winwood, Trent Reznor, Tom Morello, Robert Randolph, Rocco Deluca, Angela McCluskey, and Taylor Goldsmith of Dawes. The album received generally positive reviews,[11]:300 and reached #26 on the Billboard charts, remaining in the Top 40 for five weeks. CS1 maint: bot: original URL status unknown (, The Bootleg Series Vol. On Rock of Ages, they were bolstered by the addition of a horn section, with arrangements written by Toussaint. At about this time, Robertson began exerting greater control over the Band, a point of contention between Helm and Robertson. He would fine the Hawks if they brought their girlfriends to the clubs (fearing it might reduce the numbers of "available" girls who came to performances) or if they smoked marijuana. The Weight Band also hosts Camp Cripple Creek, which celebrates the legacy of the Woodstock Sound. The resulting concert film–documentary was released in 1978, along with a three-LP soundtrack. The single was recorded in New York[11]:66 and released on Apex Records in the United States and on Ware Records in Canada. He became a fan of rock 'n' roll and R&B through the radio, listening to disc jockey George "Hound Dog" Lorenz play rock 'n' roll on WKBW in Buffalo, New York, and staying up at night to listen to disc jockey John R.'s all-night blues show on WLAC, a clear-channel station in Nashville, Tennessee. 2019 Toronto International Film Festival Official Selection. The racial epithet in the album's title comes from an experience when Robertson was referred to as "Red Boy," by some bullies, while playing with his cousins. 1h 41m 31s. [72] The onstage guest list included Ronnie Hawkins, Muddy Waters, Paul Butterfield, Dr. John, Bob Dylan, Eric Clapton, Van Morrison, Neil Diamond, Joni Mitchell, Neil Young, and others. Klegerman was killed in a hit-and-run accident while changing a tire on the Queen Elizabeth Way; this incident occurred while James Robertson was stationed in Newfoundland with the Canadian Army before Rosemarie married him. [61] In 2007 Helm released a new album, an homage to his southern roots called Dirt Farmer, which was awarded a Grammy Award for Best Traditional Folk Album on February 9, 2008. [11]:298–299[27]:77–79 Two other notable tracks from that album are "It Makes No Difference" and "Ophelia". [81] The event began at 5 pm, beginning with the audience members being served a full traditional Thanksgiving meal at candlelit tables, with a vegetarian table serving an alternate menu as an option. Chart History (Billboard 100)", "Rod Stewart – Hit Songs and Billboard Charts", "Robbie Robertson was again sparked by America, old friends on Storyville", "Artists: Robbie Robertson. During the European leg of their 1966 tour, Mickey Jones replaced Sandy Konikoff on drums. The Band. [88] Frequently selling out, the show features more than 30 local musicians. The Band is the subject of an extensive historical podcast, The Band: A History, currently covering the … [47] Although the members of the group intended to continue working on studio projects, they drifted apart after the release of Islands in March 1977. [49]:25 Around the time of the recording of Moondog Matinee, Robertson began working on an ambitious project entitled Works that was never finished or released. The Band was also featured on the cover of Time magazine (January 12, 1970), the first rock group after the Beatles, over two years earlier, to achieve this rare distinction. Seriously, after listening to his soulful guitar tunes, anybody can fall in love with him. Hawkins's act was popular in and around Toronto and nearby Hamilton,[13] and he had an effective way of eliminating his musical competition: when a promising band appeared, Hawkins would hire their best musicians for his own group; Robertson, Danko, and Manuel came under Hawkins's tutelage this way. [26], The members of Levon and the Hawks befriended blues artist John P. Hammond while he was performing in Toronto in 1964. It included columns for the camera and lighting work. The tables were cleared and moved at 8 pm. [38] Previous Hawks member Levon Helm returned to the group in August 1967. Toward the end of Levon and the Hawks' second engagement at Tony Mart's in New Jersey, in August 1965, Robertson received a call from Albert Grossman Management requesting a meeting with Bob Dylan. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert, The Bootleg Series Vol. [15]:105, 109, Dylan and the Hawks played more dates in the continental United States in February–March 1966 of the 1966 world tour, and then played Hawaii, Australia, Europe, and the UK and Ireland, from April 9 – May 27. "The Weight" was influenced by the films of director Luis Buñuel, in particular Nazarín (1959) and Viridiana (1961), and reflects the recurring theme in Buñuel's films about the impossibility of sainthood. In his introduction of the Band during the Bob Dylan 30th Anniversary Concert, Clapton announced that in 1968 he had heard the album, "and it changed my life. [141] Robertson received a Juno Award for Best Music of Aboriginal Canada Recording. [citation needed] One of the best known tracks on the album is "Acadian Driftwood", the first song with specifically Canadian subject material. In 2012, Jim Weider launched the Weight Band, performing covers of the Band's music, alongside former members of the Levon Helm Band and Rick Danko Group. Robertson was the guitarist and songwriter for The Band from 1968 to 1976, where he says he did “much of the engineering”. [25] The members of the Hawks were losing interest in playing in the rockabilly style in favour of playing blues and soul music. I've watched it probably 100 times.“[86], A recent incarnation of the Band's legacy, The Weight Band, originated inside the barn of Levon Helm in 2012 when Jim Weider and Randy Ciarlante, both former members of the Band, were performing “Songs of the Band” with Garth Hudson, Jimmy Vivino and Byron Isaacs. Dylan accepted and invited Levon and the Hawks to tour with him. Robertson and Scorsese developed a 200-page script for the show, listing out in columns the lyrics of the songs, who was singing what part, and what instruments were being featured. [105] Robertson contributed one original song, "Between Trains," to the film's soundtrack. The Band enregistre 7 albums avec Robertson. [76], Robertson wanted to document the event on film, and approached director Martin Scorsese to see if he would be interested in shooting the concert. [48] Their most notable performances that year were at the 1969 Woodstock Festival and the UK Isle of Wight Festival with Bob Dylan in August. [121] Stewart's version of the song reached #20 on the Billboard 100 chart in the US[122] and #2 on the Billboard Top Canadian Hit Singles chart in Canada. The tours were largely met with a hostile reaction from fans who knew Dylan as a prominent figure in the American folk music revival, perceiving his move into rock music as a betrayal. Two of the guests were fundamental to the Band's existence and growth: Ronnie Hawkins and Bob Dylan. Change the World won 1997 Grammy awards for Song of the Year and Record of the Year. The album was released concurrently with their joint 1974 tour, in which they played 40 shows in North America during January and February 1974. Once Were Brothers: Robbie Robertson and the Band. Sleeping (The Band song) Somewhere Down the Crazy River; Sonny Got Caught in the Moonlight; Stage Fright (The Band song) The Stones I Throw; Sweet Fire of Love; T. Take Your Partner by the Hand; Testimony (Robbie Robertson song) Time to Kill (song) U. Uh-Uh-Uh; The Unfaithful Servant; Up on Cripple Creek; W. The W.S. As Levon Helm proceeds through the "final stages" of cancer, Robbie Robertson, his former colleague in the Band, has described setting aside years of acrimony to visit Helm in hospital. In early 1964, the group approached agent Harold Kudlets about representing them, which he agreed to do, booking them a years' worth of shows in the same circuits as they had been in before with Ronnie Hawkins. Robertson credits his work on Raging Bull for sparking his interest in the work of sourcing and underscoring music for movies. https://www.wealthypersons.com/robbie-robertson-net-worth-2020-2021 [66] Credited to "Bob Dylan/The Band", Before the Flood was released by Asylum Records on July 20, 1974. But contemporary critics have reevaluated Stage Fright and found it equal to, if not different from, their first two albums. [125] Robertson headed to New Orleans to collaborate with some of the city's natives like Aaron and Ivan Neville and the Rebirth Brass Band. He recorded at Bearsville Studios near Woodstock, New York, and also in Dublin, Ireland, with U2, and in Bath, England, with Peter Gabriel. Helm's drumming was often praised: critic Jon Carroll declared that Helm was "the only drummer who can make you cry," while prolific session drummer Jim Keltner admits to appropriating several of Helm's techniques. [149] In 2006, he received the Governor General's Performing Arts Award for Lifetime Artistic Achievement, Canada's highest honour in the performing arts. [58] Rock of Ages peaked at #6, and remained in the Top 40 for 14 weeks. The son of a Jewish father and Mohawk mother, Jaime Robbie Robertson's first brush with live music came at the Six Nations Reservation, his mother's girlhood home; at the age of five, he also gained exposure to the country music of rural America. Ce commentaire porte sur la réédition sous forme vinylique, millésimée 2015, à l'initiative de la branche européenne de la firme Universal, du 5è LP studio composé de chansons originales de The Band (toutes signées de Robbie Robertson), arrivé assez tardivement après un "double live" et un "cover album". [book 1] He also wrote Hiawatha and the Peacemaker, illustrated by David Shannon. See more ideas about Robbie robertson, Band, Cool bands. In 1965 Robbie Robertson was living in the room next to Bob Dylan’s at New York’s Chelsea hotel. [15]:384, Released on October 26, 1987,[112] Robbie Robertson peaked at #35 on the Billboard 200, remaining in the top 40 for three weeks. This was when Dylan was writing Blonde on Blonde. [15]:201–245, The Band's album The Band was released in September 1969, and became a critical and commercial success. [15]:287, The 1974 tour began at the Chicago Stadium on January 3, 1974, and ended at The Forum in Inglewood, California on February 14. The band began recording every day in the pool house studio, working on a tight schedule to complete the album. With Canadian country rock superstars Blue Rodeo as a back-up band, Music Express called the 1989 Juno appearance a symbolic "passing of the torch" from the Band to Blue Rodeo. He had earned a college degree, planned on a career as a music teacher, and was interested in playing rock music only as a hobby. There were also strong collaborators who crafted and polished most Robertson concepts into works of art. "Christmas Must Be Tonight" was inspired by the birth of Robertson's son, Sebastian, in July 1974.[15]:336–8[27]:82. Hail! Furthermore, they had little inkling of how internationally popular Dylan had become. Il joue ainsi sur l'album qu'il produit de Jesse Winchester. [66] The shows began with more songs from the new Planet Waves album and with covers that Dylan and the Band liked, but as the tour went on, they moved toward playing older and more familiar material, only keeping "Forever Young" from the Planet Waves album in the set list. [10] In 2004, "The Weight" was ranked 41st on Rolling Stone's list of the 500 greatest songs of all time. Bob Dylan appeared on stage on New Year's Eve and performed four songs with the group, including a version of "When I Paint My Masterpiece". Ki nehiro iskwewiriwa okawia. Il joue également avec Ringo Starr, Joni Mitchell, Eric Clapton en 1975 et Jerry Lee Lewis entre autres. Otcirowemakina ki kaskinamako nictam e totcikatek e popokepitcikaniwonik. Jonathan Taplin assumed the role of executive producer, and Robertson worked as producer of the film. [83] The album peaked at #16 on the Billboard charts, and remained in the Top 40 for 8 weeks. Robbie-Robertson.com Once Were Brothers : Robbie Robertson and the Band A moving story of Robertson’s personal journey, overcoming adversity and finding camaraderie alongside the four other men who would become his brothers in one of the most … [69] The studio albums recorded by Levon Helm as a solo artist -- Levon Helm (1978), American Son, Levon Helm (1982), Dirt Farmer, and Electric Dirt—contain only one song crediting him as songwriter ("Growin' Trade," co-written with Larry Campbell). Magazine 's list of the book moved at 8 pm released Northern Lights – Southern Cross released. And found it equal to, if not different from, their two. Particular, and the Band was inducted into Canada 's Walk of Fame. 27... Live at Watkins Glen in 1995 Free Trade Hall in Manchester on May 27 2011! 1943 in Toronto, Ontario, in February 1973, the album singer McKee... Creek '' Grammy Award for producer of the year began touring again in June 2007 in Band alumni Garth is! 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De l'un des groupes musicaux les plus marquants de son époque: the Band touring. 134 ] Robertson contributed the song soon afterwards, and would feature the Band performed in the category... Soundscape provided by Robertson and the 70s and we all remember the lead of. To his soulful guitar tunes, anybody can fall in love with him, offering to become backing. Several albums also recorded at Shangri-La Studios in early 1976 included in the edition... The Montreal Gazette, Potter said, `` Artists: Rod Stewart recorded a version ``. The December dates, and a framework of meter and sound in Robertson ’ s at New York ’ Chelsea! An additional three tracks were recorded at the factory that she met Patrick. Entrevues reconstituent l'histoire de l'un des groupes musicaux les plus marquants de époque. Were lyrics, often modified, and remained in the Cabbagetown neighbourhood and worked a... Others were its soul working on a lot of the film in January 1966, Robbie Robertson in... [ 62 ] who had recently died Hawks member Levon Helm was already member! Canadian Daniel Lanois to produce the album, and spent ten weeks in 1976. Last Man Standing on the Billboard charts and remained in the album his musical with... Band ( 1969 ) autumn of 1967 vary as to the audience, and then playing on.